'Miscommunication' is the greatest of the three, where she delivers one of the most advanced hooks of the last several years. Like, many of the album's key performances come from the females., a songwriter, arranger, and singer who has also had a hand in 's 'Take Me as I Am' and 's 'Ice Box,' is central to three of the album's most memorable songs. So, in a number of ways, can be viewed a sister release to the album. , along with super-talented associates and, are some of the common links between the two albums, which share a similar balance between rap tracks heavy on mostly empty grandstanding, pop-R&B songs with male-female exchanges, and a couple club-oriented surprises that go outside the norms of modern rap and R&B. Otherwise, is similar in setup to 's certifiably flawed and maliciously (and/or unjustly) panned, a sprawling but often pleasurable album involving so many MCs, singers, and studio hands that a head count would rival that of the sessions for 'We Are the World.' The four songs involving the rockers are the only ones that have the potential to shock, and they're bundled together during the last quarter of the album, so it's not as if they're even being emphasized. It's most jarring to hear him as a temporary member of the typically sullen, where his downcast verses give way to 's heavily affected drone. With (a bad-time faux-British synth duo) and (you probably know about them), is an interloper who takes part in songs that wouldn't be worse off without his presence. A remix of 'Apologize,' a ballad by (a band that might soundtrack the next season of Grey's Anatomy, or the imaginary annex between Abercrombie & Fitch and The Gap), incorporates an unobtrusive beat and some distant vocal accents. 'Throw It on Me,' with (a good-time garage rock band from Sweden), is a frisky, careening number that must have taken all of ten minutes to put together. If you haven't read any interviews with from the past few years, or if you missed some of the more telling hints, such as his work on 's -sampling 'Should I Go,' there could be some shock involved while listening to the album for the first time.Īlthough he has continued to contribute beats for MCs - 's '3 a.m.,' 's 'Get a Light,' and 's 'Put It Down' are a few recent examples - has frequently said that he is bored with rap and into rock, and here he takes the opportunity to reach beyond R&B, rap, and straight-up pop. His three albums with sidekick, in addition to the solo-proper, each had measurable amounts of hype around their release dates.Ī new level of visibility, combined with a lot of eclectic star power and a couple silly beefs, has turned into a major release. Consequentially, there has never been more anticipation for one of his own albums. Due to his work on 's 'Promiscuous' and 's 'SexyBack,' two of the least-avoidable pop singles released in 2006, his profile has never been higher.
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The reigning producer of R&B and rap since 1996, the year of 's 'Pony' and 's 'If Your Girl Only Knew,' has amassed piles of ingenious and commercially successful releases. While the song is an extreme example, it does illustrate the inexplicable and intermittently unpredictable nature of an album that would be more accurately titled Timbaland Presents Slight Confusion or Timbaland Presents an Uneven Mess. It's a relaxed way to close an exhausting album, and it's also an odd way to utilize and a 19-person choir. He participates in some nonchalant call-and-response singing as well.
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Most of the vocals are left to, who improvises with a nonstop series of directions, comments, and grunts. , despite being, doesn't sing on the song, but he does play some loose piano. '2 Man Show,' the epilogue of, involves 24 men and women. Lyrics to 'Give It To Me' song by Timbaland: Is it going? 'Timbaland Presents Shock Value' (2007) Oh Timbaland Give It To Me Release The Way I Are Bounce.
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Timbaland – Shock Value II / Shock Value 2 – Album Quality: iTunes Plus AAC M4A Download Free Zippyshare Batshare Sharebeast Released: Decem℗ Blackground Records/Interscope Records.
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